Artwork of the month - video (59 sec).
Splott Beach
Year | 2024 |
---|---|
Size | 46 cm × 55 cm × 13 cm |
Materials | unfired red clay |
Location | 51°28'21.5"N 3°08'07.6"W |
Edition | 1/1 |
For Sale | No |
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Frank&Robbert Robbert&Frank remade their alter egos in clay. And they decided to leave them unfired. This means that when water comes into contact with the sculptures, the clay figures will start to dissolve, returning to their natural, amorphous state.
This is a symbolic representation of life itself: we are all made of atoms. Atoms that have been part of countless organic and inorganic structures before they came to form the temporary shape of our bodies. And these atoms will be recycled after we die.
For the transformation of this work, R&F F&R chose a spot at Splott Beach in Cardiff, Wales. The beach itself is important, as it isn’t a natural beach.
When the tide is out here is the world’s only coal and brick beach, a black and orange travesty sprinkled with concrete rubble, twisted wires, fused iron slag and industrial debris, all being gradually worn into grotesque craggy shapes by the action of the sea.
— Dic Mortimer, ‘All Wales Coast Path’
Before the site became a ‘beach’, it housed a vibrant community of workers of the East Moors steelworks factory. When the plant was shut down, the houses got demolished and the rubble was dumped on the wasteland near the sea.
Near the seaside there is a big sewer pipe evacuating excess water and forming a huge mud delta river that flows into the Bristol Channel. Polluted, iridescent water, clay deposits, rubble and bricks create a mesmerising landscape on the outskirts of the city. At this location, Frank and Robbert left their clay alter egos beside a clay fire to erode and become part of the landscape once again. As they were installing their sculptures it started to rain, thus speeding up the transformation process from figures to clay again.
The work itself alludes to the notion that everything is temporary and that all matter seems to bear echoes of earlier incarnations. Matter seems to have a memory. And by moving in this world, and living in it, we try to (re-)connect with things that have been and things yet to come.
Frank&Robbert visited Cardiff as part of their ‘Reconnect with the UK’ tour, supported by Kunstenpunt and the British Arts Council. Rhiannon White of Common Wealth Theatre was so generous as to receive us in Cardiff and share her personal insights about the region. We shared iftar together with her and the local Muslim community at the wonderful Grange Pavilion and she introduced us to the local people, history and places.
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ARTWORKS
Theater
Table Dialogues | 2021 - ongoing | |
Don't we deserve grand human projects that give us meaning? | 2017 - 2021 | |
To Break - The window of opportunity | 2014 - 2015 |
Performances, Actions, Rituals
(Solo) Exhibitions
Magic Mirrors - Ceramic Shrine
Fred&Ferry Gallery, Antwerp (BE) |
2021 | |
Breadcrumbs
Be-Part, Waregem (BE) |
2020 | |
Dr. Valcke
Water Clinic, Kortrijk (BE) |
2015 |
Drawings
Other sculptures & installations
Other prints, books & editions
Other video works & projects
PONG
video installation |
2014 | |
Faces
video installation |
2014 | |
The Gilded Child
video |
2010 | |
A Documentary
video |
2010 |
Clay tablets
Hugging | 2020 | |
Helping Hand | 2020 | |
Lunch | 2020 | |
To Break (theatre scene) | 2020 | |
Gemini Ritual | 2019 | |
Mask Totem Pole | 2019 | |
Ritual Fire | 2019 |
Shrines
Archetypes
Sculpture |
2019 - 2021 | |
Janus Self-Portrait
Sculpture |
2021 | |
Magic Mirrors - Shrine
Sculpture |
2021 | |
Shredding Sorrows
Sculpture |
2019 | |
To Break
Sculpture |
2021 |
Go away sorrow of the world
Suitcase projects
Weakness is provocative
Surveillance
Ceramics & Wood |
2020 | |
Guns
installation (2014) / artist publication (2015) |
2014 - 2015 | |
Chocolate Guns
limited edition sculptures |
2015 | |
Bloodstains
limited edition sculptures |
2014 | |